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"Clear.Concise.Essential. A much-needed, must-have compendium for aspiring comic book writers." -- Dan Berger, Former Managing Editor, Heavy Metal

"Read this, take a look at what you've written and see it with new eyes." -- Jim Shooter

"Buy and read this book, and learn something. I did!." -- Howard Mackie, writer of Ghostrider, Spider-Man, and a few other things

"A must read. For anyone looking to refine their skills as a comic writer." -- Martin Chuzz, Owner Convict Comics

"Nick Macari's Guide to Comics and Graphic Novels is a pragmatic and thorough overview of everything an aspiring comic creator should know before getting started in the industry." -- Jeff Lydell, Blackbird Interactive

A writing guide FOR the comic writer. Everything you need to know to take your existing story and outline, to completed professional level comic script.

Thoroughly covers the ten major rules to comic script writing and the four core considerations of every comic panel. Provides an easy to read (and absorb), in-depth look at script format, process and story mechanics.

Indispensable for the aspiring writer. Highly useful reference for the established professional.

Note: While this book contains a lot of information and will tell you how to write comics, the focus is not on story conception and outline creation. from page 12, "Premise, Plot and Story Structure". This guide is aimed at the working writer with a solid grasp of story structure, basic writing comprehension and a comprehensive outline in hand.

The intention isn't to walk you through the process of discovering or creating your story, but rather to help you apply your existing story to the comic medium.

If you don't have an outline (or a story for that matter) the techniques and information discussed in this guide will provide valuable insight and prime you for the moment you do.

• Sales Rank: #711150 in Books
• Published on: 2015
• Binding: Paperback
• 90 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
You've trie the rest, now get the best.
By K. E. Woolfork
Nick Macari's The Working Writer's Guide to Comics and Graphic Novels is hands down the BEST book out on the craft of writing for comics and related sequential media. Sure there are other books by people with more recognizable names, but where their books live in concepts and theory, but in The Working Writer's Guide Nick puts his money where his mouth is and gets down to brass tacks about putting these concepts into ACTION. Few, if any of those other books give you how many words you should put in a panel to display how many is too many. Few of them show you a template for organizing your scripts. Those other may be good reads, but TWWG is an invaluable resource when it comes to the challenge of writing comic script that reads well and isn't cluttered. This book hasn't left my desk since it arrived and I refer to it whenever I am writing. The Working Writer's Guide is a golden resource for anyone interested in the business of comic books storytelling.

1 of 1 people found the following review helpful.
A must-have!
By nicolas Izambard
The Working Writer's Guide will take you to the next level.
I have read pretty much every books about comic book writing from Eisner to Mc Cloud and Bendis and they
're all good but The Working Writer's Guide will take you to the next level. It explains writing comics in specific ways that everyone can use. I love this book. It should be part of your writing bibles collection, right on your desk.

1 of 1 people found the following review helpful.
This is excellent! This book not only goes over everything with ...
By Jessica Desmond
I purchased this because my friend Ed Watson did some art for it. I've written stories, non-fiction, and screenplays, but never a graphic novel since I was always unsure of the script formatting. This is excellent! This book not only goes over everything with detail and reasoning, but you always have an example - text or visual.

See all 25 customer reviews...

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[Z690.Ebook] PDF Ebook New Sudden Fiction: Short-Short Stories from America and BeyondFrom W. W. Norton & Company

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An all-new volume―students and lovers of literature take note: this is serious writing that's fun to read.

Responding to America’s love affair with the short-short, editors Robert Shapard and James Thomas searched thousands of books and magazines to select these sixty stories―each under 2,000 words, each with its own element of surprise, whether traditional, experimental, humorous, moving, or magical. In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersao, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

• Sales Rank: #50571 in Books
• Published on: 2007-01-17
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x 1.00" w x 5.60" l, .71 pounds
• Binding: Paperback
• 368 pages

Review
“It’s a test of the reader’s ability to fly.” (Charles Baxter)

“It can do in a page what a novel does in two hundred.” (Mark Strand)

About the Author
Robert Shapard directed the University of Hawaii MFA program and now lives in Austin, Texas.

James Thomas has received two NEA grants and a Stegner Fellowship; he lives in Xenia, Ohio.

Most helpful customer reviews

24 of 24 people found the following review helpful.
hit and miss
By Mr. Richard K. Weems
The original Sudden Fiction anthology was something of a literary groundbreaker as well as the start of a franchise--Robert Shapard and James Thomas could be credited with giving sudden (aka flash, aka micro, aka short short) fiction a formal stage so that the genre could (and did) become acceptable in all kinds of venues where it had not been considered legitimate before. Obviously, Raymond Carver's seminal collection What We Talk About When We Talk About Love (the one edited by Gordon Lish, who of course wanted to take full credit for the form in the first Sudden Fiction anthology) may have been among the first collections to qualify the boundaries of short fiction into the realm of a page or two, but Shapard & Thomas' first Sudden Fiction anthology was possibly the first popular proof that this short form was just as competent as the longer short story form and could be tackled by writers just as competent as Carver.

From there, Shapard & Thomas sparked the Sudden Fiction anthology series and even did spots of the Flash Fiction anthology series, together or separately. This volume is the most recent installment, and it follows the method of the others--stories that tend to fall in the range of 2,000 words or lower, and familiar names (Tobias Wolff, Sam Shephard, Joyce Carol Oates, etc.) standing next to names that are not as familiar, due either to neglect in the whorls of the literary administration or to the general low quality of their work.

Of course, any anthology is going to have its hits and misses, and this one is no exception. Aimee Bender is a nice turn in the road, since all the stories before hers seem to have a definite realist tendency, and hers is the first to explore the realm of the surreal, and does so quite powerfully. Ha Jin's piece about humor and those political machines that have none is about as powerful as any Mo Yan novel, and Chuck Palahniuk is as verbose as ever, though the shorter form lets his piece resonate nicely without being swept away by its language. Sherrie Flick's "How I Left Ned" is wonderfully creepy and gothic, a story that could only be sustained in an abbreviated form, and Geoffrey Forsyth's "Mud" is an incredible musing on grief. Stacey Richter's "The Minimalist" is a spin through the world of an artistic and personal meltdown. These works show the power of the sudden fiction format--the emotions are intense, bombastic and ride prominently on the sleeve. They aren't poetic, and so don't seem appropriate to call prose poems, but instead have that kind of grounded punch that good fiction has, with events that might not be familiar but are certainly sympathetic.

Some of the misses, though, really dragged down this collection, as they showed the weaknesses this genre can exude. Toure's "I Shot the Sherriff" is a pretty redundant piece that takes a lot of obvious moves and shows a pretty weak writing hand (despite the author's arrogant bio at the back of the book). Robert Olen Butler's "Seven Pieces of Severance" is just a poor smattering of pieces from his collection Severance--cryptic monologues from decapitated heads. Elizabeth Berg's "The Party" is a rather typical musing on the differences between men and women--rather one-sided and cliché by the end. These are the pieces that serve as reminders that the term Sudden Fiction can sometimes be used to try to legitimize failed short stories--many of these pieces provide little of the kind of interest that sustains good short fiction, no matter how long: a vivid glimpse into genuine human character.

The failings of this collection are a little less forgivable than they would be in previous anthologies only because Shapard & Thomas have helped define and justify this genre, so it would seem that their positions would entail and effort to further define the genre's boundaries and possibilities. While there are quite a few pieces here that show a maturation of the sudden fiction genre, it is clear that the term is also being used to try to give credence to short-minded, poorly imaginative work. Perhaps that is just the nature of the literary game, but I would have rather finished this collection with a twitter of excitement and possibility rather than a pang of some missed opportunity.

0 of 0 people found the following review helpful.
Yes, I'm Biased: I agree with the editors about how fantastic "Sudden Fiction" is.
By C. W. Smith
I've enjoyed flash fiction for a long while now, but it has been more than awhile since I've visited the form.

This was an excellent collection to dive back in with, as most every story hit me in some way.

The preface discusses how this length and form just seems to "work," as many shorter stories can feel too incomplete or ambiguous, and longer works can start to get bogged down. However, this length of story packs a hell of a punch, and many of these stories are perfect examples of that punch.

What I liked best, though, is the range of when these were written. I had originally assumed that all were recent stories. However, upon checking out the contributor's notes, I saw how many had copyright dates decades ago. I never would have guessed. These writer's have all done what we should strive to: they touch on something that resonates throughout the years and contexts.

That, to me, makes this more than worth the read, and--even more--makes this collection one to study, if you want to learn the short form.

6 of 6 people found the following review helpful.
Broad in Scope, a Bit Uneven in Quality
By C. Woodward
This compilation is a great effort at both defining "sudden fiction" by example and at displaying the broad scope of the work that's out there, including pieces from all over the globe. The work, according to the editors, was collected over a set period in the early 00's from what has been getting published in journals and magazines around the world. In that regard, this collection truly succeeds in capturing what the current flavor/definition is for the short-short story (not to be confused with "flash fiction," which is even shorter) (and collected in a different companion book by the same publisher) (I also admittedly plan to read it eventually) and ensures that there won't be (m)any repeats in here from other anthologies you may have read.

What is slightly disappointing about this collection is that the quality (for this reviewer) is a bit uneven. While all the stories are of rather similar lengths (3 to 5 pages for the most part), some simply go nowhere, reflecting on a moment or character in detail and arriving at very little in the way of stimulating conclusions. Others, such as Tobias Wolfe's or Sam Shepard's (two of the best in the bunch), nicely portray real conflicts, draw very real characters, and maintain forceful narratives throughout, with endings that satisfy.

If you enjoy short fiction, this is certainly worth reading, then perhaps selling back if you find only a little that you like (I'll probably keep my copy, as I think I like the parts I like enough to want to read them again later on). If you're trying to get into what's going on in contemporary short(-short) fiction, there is no better place to start. Author bios in the back will give you other book titles and such as launching points for further reading as well.

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Royal prestige, intellectual curiosity, and territorial expansion all propelled mankind to undertake perilous voyages across unpredictable oceans. This large and lavishly illustrated volume brings that history of seafaring to life. From the early Phoenician navigation techniques to the technologies behind today's mega-ships, the greatest advances in shipbuilding are all covered, accompanied by hundreds of images. And with an in-depth look at navigational instruments (including those used by the Vikings), it's the perfect gift for experienced sailors and armchair adventurers alike.

• Sales Rank: #948373 in Books
• Brand: Brand: Conway
• Published on: 2010-09-07
• Released on: 2010-09-07
• Original language: English
• Number of items: 1
• Dimensions: 13.72" h x 1.32" w x 10.27" l, 6.05 pounds
• Binding: Hardcover
• 376 pages

Features

• Used Book in Good Condition

Review
'..handsome illustrated volume'. Seven - The Sunday Telegraph

About the Author

Donald Johnson is an American based life-long sailor and historian who has sailed the Atlantic single-handed six times.

Most helpful customer reviews

11 of 11 people found the following review helpful.
A grand, beautiful book of adventure and history
By Inverse Outburst
This wonderful book tells the stories of adventure and bravery that took place across the ages. Even in today's world, the bold, the intelligent, and the plain curious, suffer the afflictions of fools and tyrants who fear all and anything they cannot understand or control. But in ages past, when these blights on the human spirit not only clung to the idea of a flat world, where the water just fell of into the aether, they even punished with death those who dared to dream. Fortunately for us, the brave men and women of history flew in the face of fear and tyranny to pursue the truth and the fire in their own hearts.

For those who love books, not only for the wonders they reveal, but for their physical beauty, this one is a treasure. Printed on thick, quality stock, with vibrant and expertly done photography of navigational objects, charts and maps, illustrations, and more, this book will make proud addition to any library.

By the same publisher, is the book A History of Arctic Exploration. It is a twin sister to this one and I highly encourage the reader of such material to purchase them both. You will not be disappointed!

1 of 2 people found the following review helpful.
Not what I was expecting, but still good in ways
By Jim Richmond
First off, this is a BIG and HEAVY book. It's 13 1/2" tall, and would not initially fit on my bookshelf. Luckily, my bookshelf has adjustable shelf levels, so with modifications, I could make it fit. This isn't a book that that you'd want to leave laying around, so I'm glad I could make it fit. I don't have a scale to weight it, but this is by far the heaviest book I own. It's not user-friendly for carrying around, and certainly isn't very portable. The thick pages and plentiful graphics are great, but add to the weight of this beastie.

I was hoping for more of a general nautical book, with nautical terms, descriptions of ship parts/components, descriptions of actual sailing and handling the sea, and coverage of America and New World sailors/privateers/pirates. I really found none of that in this book.

This book is actually narrow in scope, and focuses on navigation in the Old World. There is coverage of the Middle East and Asia, but that's pretty much it. Navigation is the focus, so not much in the way of commerce, privateering, leisure sailing, etc. What the book covers is very deep in scope, and the imagery and graphics are top notch. So if that is your specialty and interest, you'll like this book.

On the other hand, if you're looking for a book that will give you a taste of sea air and the feel of misty winds on your face, this isn't your book. This is a book generated from other books in the depths of libraries. That can be great too - and there's a place for books like this - but again, it wasn't what I was seeking. I found myself getting a bit bored about 1/4 through the book too, as it seems to sometimes repeat what was discussed prior. In summary, this book is a bit of a millstone in my collection, being big and bulky, and also an expensive purchase that I wasn't quite satisfied with (a bit of buyer's remorse).

2 of 2 people found the following review helpful.
A beautiful Edition of Seafairing
By Chas B Livingstone
A beautiful Edition of Seafairing.Wonderful words arranged to more than cover the subject. A fine paper with excelent printing and beautiful photos of original documents. I will enjoy its details over the coming months.

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• Binding: Paperback

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